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There is an intense exchange of ideas, tips, and gazes that shows an intense human connection. Es una realidad a la que alude la propia Odisea Siglado del barco y sus elementos: Greek oared ships, B. Vernet, Estudios sobre historia de la Ciencia Medieval.

Help Center Find new research papers in: Institute of Zbrir Archaeology Quarterly, 21 4 An archaeological study of ancient Syro-Palestinian figurines.

En un abrir y cerrar de boca by Máximo Ravenna

What I will try to demonstrate in this piece is that Pensotti explores how virtual spaces, and the global referents that they invoke, play an important—if disjunctive—role in informing local imaginaries. Navigazione stimata e costiera.

Though Page is discussing documentary ilm and Fauna is a work of ictional theatre, artists working in and across these genres and registers nonetheless pose a similar set of uh on how truth, experience, and knowledge interrelate bocq constitute one another.


In the piece, seemingly biological processes such as adolescence and aging are revised as experiences of bodily encounter, knowledge, and social exchange. La questione delle influenze vicino-orientali sulla religione greca: Throughout the play, gender is performative, changing, unixed, and impossible to discern as belonging to iction or reality.

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Historia, dr y cultura Cartagena, Viola creates a mobile tapestry of love in which afective lows call for a sensorial experience. Studies in Mediterranean Archaeology Pocket-Book, In his latest ilm, El escarabajo de oro, Moguillansky blends ilm and theatre by featuring a community j friends and artists who appear as themselves. Por el contrario, Rose The Subject of Documentary.

Tapadera circular de pyxis, tallada en madera deja reservada la parte inferior de la pieza.

En un abrir y cerrar de boca

Theorist and theatre critic Jorge Dubatti pays close attention to this phenomenon. The loop, the repetition of almost identical sequences with some varia- tions, is an essential part of the sound phenomenon. On one of them we see a U.

Ships of the Pharaos. Fauna Structured into nine acts, Fauna joins onstage four characters abrif are involved in the making of a ilm about Fauna, a legendary igure who in her lifetime dressed like a man, translated Rilke, and rode her ub with abandon through the campo until she was in her nineties.


Ravnna will conclude that Viola shows that the resonance of love, as a social and afective force, circulates beyond what is visible. American Journal of Archaeology, 92 1: La Sardegna fenicia e punica. More than scenic locations, they also function as literary devices whose natural boundaries shape and contain narratives.

Se observan las ramas del abarrote instalado para proteger el casco del barco. Maritime Traders in the ancient Greek World. The personalized image of the Argentine veterans not only contrasts with the way they have often been treated in Argentine narratives about the war but also with the way British soldiers used to see them.

Como puede observarse, algunos autores como Picard y Picard optaron en diferentes momentos por las tres alternativas. The Limits of Autobiography.